DEFA-Studio für Wochenschau und Dokumentarfilme

Short film about electric railroad lines

The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.

Documentary about a neck mill in Bulgaria

Documentary on the master composer, from a GDR point of view.

Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

A realistic satire about the path of the German Democratic Republic from its foundation until its 40th birthday. This eye-opening film tells the history of the German Democratic Republic through East Germany's official newsreels and state films.

Found footage documentary about the rise of the nazi party and the second world war.

Documents important parts of the East German rock music scene of the late 1980s, from well-established bands like Silly, to underground rock bands like Feeling B. This road movie features young people using music to express their take on life, opposition to their parents' generation and opinions on the social and political climate in East Germany. It includes clips from concerts and interviews with fans and members of various bands, such as Feeling B's Christian Lorenz and Paul Landers, now members of Rammstein.

The children of Golzow, six or seven years old, in kindergarten. Their enrollment in school together, the first days of school. Playfully learning the first letter. Conflicts between wanting and having to.

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

Leontes, king of Sicily, tries to convince his friend Polyxenes, king of Bohemia, to stay longer as his guest. But only Hermione, Leontes' wife, can talk Polyxenes into not leaving. Leontes gets suspicious. Is his wife having an affair with his friend? Leontes tries to find out about it...

Volker Koepp's second Wittstock film.

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

A documentary dedicated to the 10th World Festival of Youth and Students held in East Berlin in the summer of 1973.

A documentary about the deconstruction of the Berlin Wall which makes no use of vocal commentary but instead focuses on visual elements. From the Potsdamer Platz to the Brandenburg Gate, the camera captures the historic events from all sides and different angles: on the one hand there are news reporters and tourists from all over the world taking pictures, children selling pieces of the wall to passers-by, and people celebrating New Year's Eve, on the other we see abandoned subway stations and officials with blank looks on their faces.

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.