American Horror Story

American Horror Story 2011

8.10

An anthology horror drama series centering on different characters and locations, including a house with a murderous past, an asylum, a witch coven, a freak show, a hotel, a farmhouse in Roanoke, a cult, the apocalypse and a summer camp.

2011

Fargo

Fargo 2014

8.30

A close-knit anthology series dealing with stories involving malice, violence and murder based in and around Minnesota.

2014

True Detective

True Detective 2014

8.30

An American anthology police detective series utilizing multiple timelines in which investigations seem to unearth personal and professional secrets of those involved, both within or outside the law.

2014

Black Mirror

Black Mirror 2011

8.30

Over the last ten years, technology has transformed almost every aspect of our lives before we've had time to stop and question it. In every home; on every desk; in every palm - a plasma screen; a monitor; a smartphone - a black mirror of our 21st Century existence.

2011

Tales of the Bizarre

Tales of the Bizarre 1990

7.80

Inspired by American TV movies like "Hitchcock Theater" and "The Twilight Zone," the show features multiple works with Tamori as the storyteller and actors as the main characters. While horror and supernatural themes are predominant, a variety of genres like comedy and drama are also produced. Most episodes, however, have a bad ending.

1990

Young Hearts

Young Hearts 1995

5.90

Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

1995

Love, Death & Robots

Love, Death & Robots 2019

8.27

Terrifying creatures, wicked surprises and dark comedy converge in this NSFW anthology of animated stories presented by Tim Miller and David Fincher.

2019

What If...?

What If...? 2021

8.14

Taking inspiration from the comic books of the same name, each episode of this animated anthology series questions, revisits and twists classic Marvel Cinematic moments.

2021

The Sinner

The Sinner 2017

7.47

In a small New York town, a haunted detective hunts for answers about perplexing crimes while wrestling with his own demons.

2017

Dark/Web

Dark/Web 2019

6.30

A horror anthology series that explores the dangers of a totally connected world.

2019

Climax!

Climax! 1954

2.70

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

1954

The Twilight Zone

The Twilight Zone 1959

8.45

A series of unrelated stories containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist.

1959

Genesis

Genesis 2021

7.80

The story of the first 2,300 years of humanity and recounts events exclusively from that period. The plot begins by giving us a greater understanding of why we exist and how we turned from perfection to imperfection. The origin of all social and racial problems is there at the beginning of everything, when via one decision a human being who only knew good and enjoyed it so much also chose to know evil.

2021

Accused

Accused 2023

7.70

In this crime anthology series, viewers discover how an ordinary person got caught up in an extraordinary situation, ultimately revealing how one wrong turn leads to another, until it’s too late to turn back. Told from the defendant’s point of view, each episode opens in a courtroom on the accused without knowing their crime or how they ended up on trial.

2023

The Twilight Zone

The Twilight Zone 1985

7.70

This 1980s revival of the classic sci-fi series features a similar style to the original anthology series. Each episode tells a tale (sometimes two or three) rooted in horror or suspense, often with a surprising twist at the end. Episodes usually feature elements of drama and comedy.

1985

Goosebumps

Goosebumps 1995

7.90

Anything can turn spooky in this horror anthology series based on the best-selling books by master of kid horror, R.L. Stine. In every episode, see what happens when regular kids find themselves in scary situations, and how they work to confront and overcome their fears.

1995

The Philco Television Playhouse

The Philco Television Playhouse 1948

5.60

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

1948

As the Saying Goes

As the Saying Goes 2011

4.70

Dramatization of real-life situations and stories that are related to popular sayings, by Don Tomas.

2011

HIStory

HIStory 2017

7.40

Drama anthology series where each season presents stand-alone stories with different plots and main characters focusing on the theme of boys' love, also known as BL.

2017

Matinee Theater

Matinee Theater 1955

3.30

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

1955