Film School of the Aristotle University of Thessaloniki

Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.

Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.

Amidst the serene landscape of the Angelohori lagoon, “To Spiti tou Fylaka tis Alykis" ("The Salt Keeper’s House") is a meeting point where the sounds of nature and music intertwine, revealing the inherent bond between nature, art and people.

In a skate park teenage Charis tries desperately to convince his best friend to go talk to his crush, the hottest skater of the park. But Charis crosses the line and puts their friendship at risk.

Washingtonia starts when the giraffe's heart can no longer be heard. Washingtonia is an alternative name for Athens, a place where people, like animals, fall into summertime sadness because of the heat. Washingtonia is the only palm tree whose heart is not devoured by the red beetle. Because its heart is small and dry and no one likes small and dry hearts.

Maria and Nikos, a married couple coping with alienation, are spending the weekend at a hotel nestled in nature, by the river Acheron. During their stay, they will try to find new balance in their relationship.

Two lovers try to die together in order to live forever. When they die at the same time, neither of them will experience the loss of the other person. This is the only time in their lives when they will never experience the inevitable loss of their lover, either by natural death or separation.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

A boy explores his grief and searches for peace, through a series of dreams guided by music.

Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Stamatis cannot get over his breakup with Katerina. He stays locked inside, until one night Katerina visits him with one purpose only: to get him out of the house.

A group of film students return to the professor the equipment they borrowed to shoot their film. The professor discovers that the equipment is broken and interrogates the students one by one to find out who is responsible. No one wants to take responsibility

A 10-year-old girl returns angry after a bazaar with her friends. On the way home, she finds an injured cat. While trying to take care of it, she has to confront her troubled relationship with her mother and her sister.

Anna, a twenty-five-year-old girl, enters the children's world, the amusement park. After a short walk through the park's toys, she ends up on the bumper cars race track. There she comes face to face with her rival, an eight-year-old girl who obsessively wants to bump her car against hers.

About how sadness gives birth to joy and one eats the other.

Three friends get together after a long time and speak of their recent mishaps. Each of their stories ends with a problem and each problem can be resolved only with money, which they don’t have. Moving between reality and fantasy, they decide to rob a cafe they suspect is a façade for money laundering.

Angelos, Tilemachos and Efi just finished their final high school exams. University life is ahead and they spend their last summer in their small hometown. Then Angelos starts seeing a dark figure of a motorcyclist. He’s unable to express this to his father and his friends as he has to face his past to finally move on.

A trip to the creating of the theatrical costume, starting from the first idea in the costume designer's mind, until the final construction by the dressmaker's hand. The film follows the set up of the exhibition "Traces of ephemeral", coordinated by Ioulia Stavridou for the National Theater of Northern Greece. By her students to her memory.

A person, in the case of "Iphigenia" a girl, sacrifices part or even her whole ego to become a member of a new social ensemble and specifically of the social ensemble of her future husband. The film is inspired by the theater of the absurd and mainly by theatrical texts by Ionesco and Pinter but also by the original myth of Iphigenia which symbolizes sacrifice.