No. 4

No. 4 1966

2.60

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

1966

Smoking

Smoking 1966

4.90

Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.

1966

Eyeblink

Eyeblink 1966

3.30

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.

1966

Fluxfilm No. 36

Fluxfilm No. 36 1970

5.00

Tips of feet walking at the edge of frame, all around the frame.

1970

Readymade

Readymade 1966

5.80

Color test strip from developing tank.

1966

Artype

Artype 1966

5.70

Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.

1966

Zen for Film

Zen for Film 1964

5.40

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

1964

Blink

Blink 1966

5.00

Flicker: White and black alternating frames.

1966

10 Feet

10 Feet 1966

5.63

Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

1966

Opus 74, Version 2

Opus 74, Version 2 1966

4.80

Single frame exposures, color. Different image each frame, various items in the room, etc.

1966

Sun in Your Head

Sun in Your Head 1963

5.70

"Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: 'silence, genius at work' and 'ich liebe dich.' The end credit is 'Television décollage, Cologne, 1963."

1963

End after 9

End after 9 1966

5.80

Word & number gag, no camera.

1966

Dots 1 & 2

Dots 1 & 2 1965

6.00

Single frame exposures of dot-screens.

1965

Trace #23

Trace #23 1965

5.90

Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.

1965

Sears Catalogue 1-3

Sears Catalogue 1-3 1966

6.50

Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models

1966

Trace #24

Trace #24 1965

5.00

X-ray sequence of mouth and throat; eating, salivating, speaking.

1965