Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper, a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher and his fellow students, Billy finally finds a positive purpose to his unhappy existence—until tragedy strikes.
Desperate to be rid of her toddler, a dissatisfied Beverly Hills housewife hires a stranger to babysit and ends up getting much more than she bargained for.
15-year-old Rocks fears that she and her little brother Emmanuel will be taken into care and forced apart if anyone finds out that their mother has left them. Against all odds, and with the help of her loyal friends, she evades the authorities and navigates the most defining days of her young life.
After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.
On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humor, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat.
In a working-class area of Sweden, sisters Laura (16), Mira (12) and Steffi (7), get by on their own, left to their own devices by an absent mother. With summer on the way and no parents around, life is wild and carefree, vivacious and anarchic. But when social services call a meeting, Laura has to find someone to impersonate their mom, or the girls will be taken into foster care and separated. Laura keeps the threat a secret, so as not to worry her younger sisters. But as the moment of truth draws closer, new tensions arise, forcing the three sisters to negotiate the fine line between the euphoria of total freedom and the harsh realities of growing up.
After twelve years of imprisonment by their own parents, two Iranian sisters are finally released by social workers to face the outside world for the first time.
West Texas, in the 1960's. A tale of two 12-year-olds who embark on an adventure to find new parents in order to escape their unhappy and emotionally unsatisfying family life.
Actor Val Kilmer narrates this powerful film exploring the methamphetamine epidemic that's ravaged blue-collar America. Putting a human face on the problem, filmmaker Justin Hunt reveals the damage being done by this rural drug of choice, as well as the steps being taken by communities across the nation to wipe out the scourge. From Wyoming to New Mexico, Montana and Oregon, American Meth paints a picture of both devastation and hope.
A city with its problems. A gang of abandoned children provide for themselves and pose as heroes. The police are on their backs day and night. They are enterprising, energetic, and full of fresh vitality. Despite the fact they are rejected by their parents and ignored by the world, they form among themselves a powerful example of solidarity. Ablakon is something of a different order. He is an adult delinquent and a swindler. Posing as a businessman, he has deceived a countless number of people. When he and his accomplice return to the village, his extravagant behaviour is mistaken for a sign of success. Following his example many young people leave for the city. But they will soon understand their mistake...
Roberta Morgan is being raised in a wealthy home where her mother is occupied with her society-club activities and her father is immersed in his business activities. She also feels that the household staff is against her and that no one understands her needs and problems. Things spiral out of control.
In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.
A 12-year-old boy and his single mother live separate lives. The boy spends his days alone while his mother works and goes out with her friends. The boy’s solitude is both a source of freedom and a cause for grief. His explorations slowly bring to light the dark contrast between the rules of society and the laws of nature. And before long, the delicate balance of his inner world becomes shattered by unforeseen events.
The movie is based on the fascinating, true story of a feral boy whom hunters found among wolves in a forest in the mountains of Bosnia-Herzegovina (BiH) in the mid-1980s. The boy was sent to the institution for children in an attempt to socialize him and got the Muslim name – Haris. Contrary to most predictions, he was developing and making friends quickly. When the war in BiH broke out in 1992, Haris got the letter from local Bosnian authorities which asked for his immediate return. Upon returning to BiH, he had nowhere to go. While wandering aimlessly, he came across a group of soldiers that gave him a gun and took him with them
Marija and Boba are moving into an apartment and the financial problems came to a crisis in their marriage. Affected consumer fever make them neglect each other and the child. In addition, Zika and Milan persistently interfere in their lives.
Asthmatic grandmother named Safa and her six-month baby granddaughter Jasmina, are transferred in a humanitarian convoy from the besieged Sarajevo to a peaceful small city at the Adriatic coast. By a combination of circumstances, their first neighbour is an alcoholic named Stipe. He is constantly causing troubles and making their lives complicated. During one of her asthma attacks, having no other choices, Safa rings Stipe's bell and hands him the baby. Stipe starts to temporarily take care about baby Jasmina. Safa dies at the hospital and now Stipe is left alone with the baby. He's clumsy, even funny. She becomes his only mission in life. He is not ready to give Jasmina away to anyone. He loved her as if his own granddaughter even daughter. Suddenly someone is at the door. Stipe recognises Jasmina's mother. In spite of all his internal struggles, he returns Jasmina to her mother. Stipe stays alone, again.
Boisterous teen Judy Bellaire is expelled from her all-female boarding school for convincing her fellow school chorus members to sing a classical piece with a modern swing beat. She returns to her dysfunctional home, dejected, but, with the encouragement of her family's cook, Judy decides to follow her dream and audition for a Broadway musical.
In a typical Singaporean family of three, life is well and comfortable. Unbeknownst to them, the forgotten fourth member is feeling neglected and alone. The only comfort she finds lies in her grandson.
A 10-year-old's happy life is shattered when his parents are divorced.
The story of a boy from the orphanage for abandoned children who tried to find out the truth about his origins. Through the story of a boy Alen, it describes the consequences of war casualties and immense injustice that war brought most helpless, the children.
The Dumping Ground is a British children's television series, which premiered on 4 January 2013 on CBBC and BBC HD. The series is a spin-off from The Story of Tracy Beaker and Tracy Beaker Returns. The first series aired until March 2013, with a second series confirmed for January 2014.
