Keyword Estranged Family Member

A decades-spanning tale of love and resilience and of one woman's journey to independence. Celie faces many hardships in her life, but ultimately finds extraordinary strength and hope in the unbreakable bonds of sisterhood.

In small-town Texas, affable and popular mortician Bernie Tiede strikes up a friendship with Marjorie Nugent, a wealthy widow well known for her sour attitude. When she becomes controlling and abusive, Bernie goes to great lengths to remove himself from her grasp.

Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

In order to perfect his research, Robert travels to Italy, where he meets an unusual homeless man. Overwhelmed and confused by the unexpected encounter with that mysterious man, Robert begins to follow him and disappears without a trace...

A sheriff must rescue an estranged family from the impending eruption of a volcano, at the same time fighting off a horde of lava-filled zombies brought to life by the cursed mountains.

Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old bastard she is today.

Manuel is a Spanish writer who has emigrated to Argentina. He hears that his childhood village in Spain is to be turned into a reservoir, and returns for one last trip. There he meets widow Virginia, an old love, and begins to hope that he might reignite the flame between them. As old secrets are revealed, the villagers must come to terms with their imminent loss and the drowning of their home.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

Wyoming Dan (Trevor Bardette) returns home after 20 years evading the law for a crime he didn't commit, only to find his son on his deathbed. Seeking revenge for his son's murder, Dan enlists the help of Rocky Lane (Allan Lane), who poses as an outlaw to try to uncover the truth. When the duo manage to track down the killer, they find him armed to the teeth.

TJ is a mad bastard, and his estranged 13‐year‐old son Bullet is on the fast track to becoming one, too. After being turned away from his mother’s house, TJ sets off across the country to the Kimberly region of northwestern Australia to make things right with his son.
 Grandpa Tex has lived a tough life, and now, as a local cop in the outback town of Five Rivers, he wants to change things for the men in his community. Cutting between three generations, Mad Bastards is a raw look at the journey to becoming a man and the personal transformation one must make.
 Developed with local Aboriginal communities and fueled by a local cast, Mad Bastards draws from the rich tradition of storytelling inherent in Indigenous life. Using music from legendary Broome musicians the Pigram Brothers, writer/director Brendan Fletcher poetically fuses the harsh realities of violence, healing, and family.

Hedi is the new neighbor of Iva, who raises her daughter Sofia by herself. The two women start a relationship and Iva is desperately in love with Hedi. Suddenly Iva's father appears. Hedi feels strongly attracted to him. It seems that only one world exists for Hedi. Her own.

Larceny, adultery, sabotage and treachery. Yes, just your typical Christmas with the Dredge family! Twelve-year-old Joey Dredge is in trouble again. Expelled for jumping off the school roof, he's haunted by his father's death and hates his mother's new boyfriend and his bullying son. Compounding his misery is the knowledge he has to spend Christmas with them at the family beach house. Things look grim until the unexpected arrival of great-grandfather Albert, fresh from a stint in prison. Forced to share the back shed with this swearing, farting and devious octogenarian, Joey's life changes. Between barbecuing the family dog, performing a self-burial and causing his intended step-father to consume a startling amount of hash, Joey learns a few life lessons from Albert, who despite his many vices may give Joey the strength to accept the past and embrace the future.

An awkward 13-year-old leaves her cranky grandfather in rural Texas, to live with her mother in Fort Worth.

Thomas has been estranged from his brother Luc for several years, due in part to his difficulties in dealing with Luc's homosexuality. But when Thomas is diagnosed with a rare blood disease, which is difficult to treat and impossible to cure, he decides he wants to bring Luc back into his life. The brothers soon become inseparable, and their new relationship begins to alienate their significant others.

Set in 19th-century New York, this mystery begins when a Frenchwoman shows up at the home of one of Napoleon's former marshals. The alcoholic man is badly crippled and slowly dying, but this doesn't stop the forthright lady from pushing him to change his will to include his estranged grandson so that he can help out the struggling French Republic. Unfortunately, the dying man's conniving housekeeper and butler, already planning murder to get the money themselves, overhear her and begin plotting her demise.

A woman begins to realise that there is something seriously dysfunctional about her fiancé's family.

A brother and sister embark on a journey to retrieve an inheritance from their grandmother in the wake of economic collapse and impending apocalypse.

Two estranged siblings partner on a global heist to find the mythological Fountain of Youth. They must use their knowledge of history to follow clues on an epic adventure that will change their lives — and possibly lead to immortality.

Yu Kwok-Kei cannot pay his debts and disguises himself as Ma Ka-Wai, his cousin Yu Lan-Fun's fiancee. He tries to kill Lan-Fun. A fisherman saves Fun. She believes that Ka-Wai was the attacker, but she can't understand why. After Fun has been missing, her family puts an announcement in the paper. Meanwhile, Chan Lan-Fong, who just comes to Hong Kong, looks like Fun and is brought to Yu's home. Fong's habits are totally different from Fun's, and she cannot recognise the family, who thinks Fun has amnesia. Fun knows that her family has mistaken somebody else for her, so she goes back home secretly and teaches Fong her habits and customs. Fong does what Fun tells her, and the family thinks that she has recovered. Kwok-Kei has a guilty conscience, so he disguises as Ka-Wai again, intending to kill Fun/Fong. But he fails and got arrested. Everybody learns that Kwok-Kei wanted to kill Fun. Moreover, Fun's mother discovers that Fong is Fun's lost twin sister and the family is reunited.

“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura