Closer 2004
A love story about chance meetings, instant attractions, and casual betrayals. Four strangers - with one thing in common: each other.
A love story about chance meetings, instant attractions, and casual betrayals. Four strangers - with one thing in common: each other.
Marion and Mingus both come from failed relationships but, by bringing their children together, they've managed to form a small yet happy family. Tensions in their household soon begin to spike when Marion's jovial father shows up on their doorstep with his randy daughter and her peculiar boyfriend in tow. As the motor-mouthed houseguests shatter every taboo imaginable, the happy couple begin to question their commitment.
Lupin's plans to intercept two old glass photographic plates from being delivered to a mysterious art dealer named Mr. Suzuki misfires, and it doesn't help matters that Goemon and Jigen are suffering from... efficiency problems. Meanwhile, Inspector Zenigata has a new tag-along in the Lupin chase: the beautiful young reporter Maria. But what is Maria's connection to the mysterious Mr. Suzuki?
A young lad delves into the local folk tale of a murderous monk for an upcoming exhibition. While out taking stills for the project, he disappears leaving it up to his brother to find out exactly what happened at Lidwell Chapel.
When his friend loses her breast to cancer at age 32, fashion photographer, David Jay deals with it the only way he knows how, by taking her picture. The implications are wider reaching than he ever imagined. Baring It All follows David Jay on an excursion from his life as fashion photographer into a world of young women scarred by breast cancer. Determined to restore their faith in life and their own beauty, Jay creates a photographic series of young survivors, aged 18 to 35. The portraits are beautiful yet challenging. The result is cathartic and empowering
A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.