Keyword Self Reflexive

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.

An artist has chosen a famous male actor for them together, in the context of a feature film, to deconstruct themselves and their invading roles. They engage in a boundless play with their surroundings in an exploration of identity, male and female.

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.

A short experimental film about processing internal stress outwardly through the creative process.

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?

Caspar Stracke replicates Jill Godmilow's replica of Harun Faroci's film "Inextinguishable Fire."