Teenager Riley's mind headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone.
When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.
Challenges of impending parenthood turn the lives of five couples upside down. Two celebrities are unprepared for the surprise demands of pregnancy; hormones wreak havoc on a baby-crazy author, while her husband tries not to be outdone by his father, who's expecting twins with his young trophy wife; a photographer's husband isn't sure about his wife's adoption plans; a one-time hook-up results in a surprise pregnancy for rival food-truck owners.
An aspiring dancer moves to New York City and becomes caught up in a whirlwind of flighty fair-weather friends, diminishing fortunes and career setbacks.
What happens after THE END? The fable of Isabela, a phantasmagorical journey of a girl searching for her true self.
An innovative and charismatic influencer is suddenly exiled from her community of creative partners and colleagues when she states an opinion that she did not know was “unacceptable” in their eyes.
Joy Brown (Billie Dean) is a 40-something woman with little confidence, less self-esteem and a burning desire to realise her dream of being a singer/songwriter. But she cant sing. When Joy takes in a stray dog, Raffi, her life immediately changes. Her best friend, the tarot card reading Tessa (Janet Watson Kruse), moves in, Joy changes her name to Luna Starr, and she meets Peter Wolfman (Andrew Einspruch). When Peter encourages her to perform with him at the local pizzerias folk music nights, Joy sings sort of hiding behind masks of wigs and silliness. Despite the singing, Peter and Joys relationship blossoms. But there are lots of hiccups along the way -- ex-wives, ex-husbands, frightening performances, and bucket loads of doubt. Set to the backdrop of the folk music scene in an arty country town, the film celebrates universal themes of friendship, low self-esteem, love relationships, and the joy of dogs.
Three queer twentysomethings navigate their daily lives in Utrecht throughout this symmetrically framed mosaic narrative. A colourful slice of life visualising queer joy and celebration.
Hara leaves the maternity hospital with a baby in her arms. She spends her days caring for her newborn baby. Daily images of affection, familiarity, devotion and acquaintance with the baby in the rhythm of a lullaby. However, the repeated emergency news about the abduction of a baby from the maternity hospital comes to violently bring us back to reality.
Made for the landmark anthology series, For the Record, Seer Was Here is an example of the bold dramatic programming made at the CBC in the mid-70s, while theatre director John Hirsch was serving as the head of the drama department. Saul Rubinek plays an inmate of a cruel Vancouver prison who brings humour, warmth, a little joy and self-understanding to the fellow prisoners of his cell block. An irreverent satire also featuring Eric Peterson and Martin Short. “Absolutely great, It’s also funny. Very Funny. Very Warm. Very touching… in some ways, a Canadian One Flew Over the Cuckoo’s Nest.” (Calgary Herald, 1978)
