Exploring every facet of ‘Weird Al’ Yankovic’s life, from his meteoric rise to fame with early hits like ‘Eat It’ and ‘Like a Surgeon’ to his torrid celebrity love affairs and famously depraved lifestyle, this biopic takes audiences on a truly unbelievable journey through Yankovic’s life and career, from gifted child prodigy to the greatest musical legend of all time.
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.
Stan and Ollie stow away to Scotland expecting to inherit the MacLaurel estate. When things don't quite turn out that way, they unwittingly enlist in the Scottish army and are posted to India.
A man pursues stand-up comedy encouraged by his fellow garbage man. Though his friend, who accompanies him on accordion, continues to tell him how great he is, he actually stinks. When the "comedian" grows a third arm out of his back, the friend uses this twist to get him signed up with a sleazy talent agent, and it begins to look like his career is on the move, even though his girlfriend has left him.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
Ten-year-old Clossie is having the worst holiday of her life – dragged to a seaside naturist resort by her fun-loving single mother. When Mum starts flirting with a fishmonger called Nick, there’s nothing for it but her to tail them with binoculars to try and unravel the adult mysteries of attraction.
For him, the accordion is like a box in which you can get an entire orchestra in order to always have it on your own. Dynamic portrait of the gifted and charismatic accordionist Martynas Levickis.
Joy is an emotionally damaged young woman of eighteen, who was given up at birth, to grow up in homes and with foster families. She lives on the fringes of society, getting by on benefits and earning a little extra by playing the accordion in the subway. In addition, she is a skilled shoplifter and has never been caught.
Kotori Haneda is a university student interning at a publishing house. While doing her internship, she is partnered with another intern named Eba Shimazaki; the two start a relationship, but her happiness is not to last.
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
The film follows Ibro (Emir Hadžihafizbegović) and his son Armin (Armin Omerović), who travel from a small town in Bosnia to a film audition in Zagreb, hoping to land a part for Armin in a German film about the war in Bosnia. On their way to fulfilling the boy's dream, they encounter a series of disappointing setbacks — their bus to Zagreb breaks down and they are late for the audition. After Ibro convinces the director to give the boy a second chance, they soon realize that Armin is too old for the part anyway. As it becomes obvious that Armin's dream of playing a part in the movie will never happen, he feels increasingly disheartened, while Ibro's determination to help his son grows. Finally they do get another chance, but Armin buckles under the pressure and experiences an epileptic seizure. As they get ready to head back to Bosnia, the film crew makes an unexpected offer, but when Ibro refuses, Armin at last realizes how much his father really loves him.
Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.
Grusha's (Lidiya Fedoseyeva-Shukshina) husband has left her and she is now a single parent to her adolescent son Vitya (Vladimir Naumenko). Her brother Nikolay (Mikhail Ulyanov) is determined to hook her up with his friend Vladimir (the film's co-director Stanislav Lyubshin). For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement. Based on a play by Vasiliy Shukshin.
An old Brazilian musician, Rato Branco, seeks out the old masters of the 8-bass sanfona in the backlands of Bahia to recover the secrets and traditional touches of the Pé de Bode, as this sanfona is known in northeastern Brazil. The film recounts the friendship between the master Rato Branco and the great musicians of the sertão, revealing the musical memory of this region.
Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their mother, by drawing on his school notebook. By the force of their desire, the children keep the link they have to their funny mother, despite the separation.
In a distant nation, even foreign to those within, an oppressed factory worker embarks on a perilous odyssey to find his polka idol and prove himself to his long-lost love.
Pennies From Heaven is a 1978 BBC television drama serial written by Dennis Potter. The title is taken from a song of the same name written by Johnny Burke and Arthur Johnston. It was one of several Potter serials to mix the reality of the drama with a dark fantasy content, and the earliest of his works where the characters burst into miming to popular 1930s songs.
