Keyword Theatrical

Recordings of two live performances by Malice Mizer edited into a complete concert experience of the visual kei band’s third studio album "merveilles", filmed while on tour during 1998 at the Nippon Budōkan Hall (April 1) and Yokohama Arena (July 22) in Japan. The live video features an onstage cathedral set piece, theatrics, costume changes, and skits performed as openings/endings to songs. The final show of the merveilles ~Shuuen to Kisuu~ tour held July 22, 1998 at Yokohama Arena (featured in the film) would be lead vocalist Gackt’s last performance with Malice Mizer before leaving the band in January of 1999 and drummer Kami’s last live show before his sudden passing on June 21, 1999.

Bustoni, a performing arts worker who lives with his mother who are dying, has a question that distract his life. What will happen to a woman after death?

An ancient Greek god, lost in time, finds himself in the apartment of a Russian schoolboy.

Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an Edenic backdrop of Vermont farm country in George Griffin and DeeDee Halleck’s luminous, lyrical short film, which documents the 1974 edition of the Bread and Puppet Theater’s annual Domestic Resurrection Circus, taking place soon after the company’s relocation from downtown Manhattan to the rural New England enclave where it remains headquartered to this day.

Set in 2022 in an urban city, Totoy is the grandchild of a cobbler in a place where no one has shoes; his curiosity begins when his grandfather tells him about the lore of a fairy who continuously robs shoes and controls the economic stability of the barangay. Totoy is driven to know the answers. Through the story of his grandfather, Totoy notices that his grandfather was rewarded to become a cobbler with the expectation of improving the standard of living, only to find out that the place is under the curse of the fairy and realize only Totoy could break the curse.