Keyword Cinma Franais

Paul has to leave his country home to collect his father's inheritance of a department store. A natural-born son, Paul's stepmother gives him a cold reception, and he's appalled by the behavior of his half-sister Dominique, an existentialist of the highest order. Paul's gumption restores the Galeries Parisiennes to its former glory, and he gives a farewell present to a more subdued Dominique. He returns to his village, arm in arm with the wise Marie-Louise, ex-saleswoman at the Grand Magasin.

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.