Sue Parker is thrust into a desperate struggle to rescue her family's failing business, teetering on the edge of ruin due to her father's negligence. With the arrival of a charming wanderer, she sees him as their sole hope to help prevent their bar from being seized by the merciless local tycoon.
Alaine's day hasn't been going great, partially because this isn't the first time they're experiencing the 27th of September in 1985. A strange film from two years into the future, a seemingly cursed VHS tape, and a mysterious masked figure that appears in their kitchen every night - these are not meant to be understood separately; they are pieces of the puzzle, they are all but fragments of Zepotha.
Ahmed Malek’s name might have been forgotten by his fellow Algerians but his timeless tunes certainly haven’t. Called the Ennio Morricone of Algiers, he composed music for more than 200 movies, amongst which the most famous films of the Algerian New Wave in the 70s and the 80s can be found. Paloma Colombe, a DJ, digger and documentary director, went to Algiers to meet his daughter, friends and former coworkers. Images of the city by night offer a perfect background to Ahmed Malek’s music. Globetrotter, pioneer of electronic music and of the concept of the home studio, he created a unique sound that truly goes beyond genres and countries.
Erich Wolfgang Korngold, Hanns Eisler and Hans Julius Salter – driven out by the Nazi regime, these composers were able to gain a foothold in Hollywood and became pioneers of film music. The major film studios in the USA still use their epochal soundtracks, which are characterized by symphonic music. A young generation of Austrian musicians is continuing their work.
