This film is about the francization of Québec that has taken place since the Parti Québécois won power from the Liberals in 1976. It shows how the once powerful anglophone community is now questioning its very survival. It discusses some of the motivating forces behind Québécois nationalism. The film concludes by asking if the Canadian nation can survive if neither of its major language groups is welcome in the territory of the other.
Cléo and Oscar are a couple that seems perfect in every way. During an evening with friends, the lovers end up committing an irreparable crime. They will have to maintain their appearances to face the consequences of their actions.
Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.
Ma traversée is a personal quest, filmed over 20 years, recounting the racial issues and privileges that have punctuated the filmmaker’s life in three French-speaking societies: Guadeloupe, France and Quebec. From her own story emerges the broader narrative of colonization, colorism, assimilation, integration and the social benefits of “race” and their impact even today. Brutalized by police officers in Montreal in December 2017 in front of witnesses, the filmmaker takes a step back to understand this gesture, which speaks to the social interpretation of skin color.
When bodies start to appear, with a crow bone stuck in their throat as their common signature, two tough investigators, Gabrielle and Clémence, must team up to solve these crimes that shock the province... and the whole world. Circumstances will force them to reveal themselves to each other, to forge an imperishable bond and to question what is real and what is not.
