Keyword Film Critics

In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.

An imaginative telling of the story of a Vietnamese American mother-daughter duo who, in their attempt to heal the rift between them, reenact and satirize scenes from celebrated Vietnam War films while depicting a diasporic reality. Two inventive storylines complicate The MOTHERLOAD to levels of absurdity. Both of these glide in and out beneath the narrative backbone of Jessca and Kim’s personal story, and reflect the stunning disconnect between the Vietnamese diaspora and the world’s understanding of their presence.

Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend Nika Bohinc’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.

Roundtable discussion of the films of Quentin Tarantino with four film critics.