The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor's beautiful granddaughter and discover a suitcase full of forbidden Western novels.
Due to an urgent need of money, aspiring writer Agnes participates in an amateur striptease contest. Her new boyfriend, Daniel, who is a reporter by profession, covers the contest for his magazine.
Adaptation of the Balzac story as told by Rosalie, a young girl in love with the idea of her extraordinary neighbor, Albert Savarus, and the lengths she goes to ensure their marriage, even after she learns he is deeply in love with another woman.
A poor but ambitious young man arrives in Paris and settles down in the boarding house run by Madame Vauquer. He soon gets to know the guests: Victorine Taillefer, a young lady her rich father refuses to recognize; Horace Bianchon, a medical student; Monsieur Vautrin, a mysterious and disconcerting man; Goriot, a rich merchant who spent all his fortune for his daughters, Delphine and Anastasie, to make a rich marriage. Eugène becomes friends with Goriot but while the former, thanks to his cousin Madame de Beauséant, is introduced in high society, Goriot, both exploited and scoffed at by his daughters, continues his descent into hell.
Adaptation of the famous Balzac novel
Balzac is a 1951 short documentary film by French director Jean Vidal. It is a biopic on the work, life, and loves of the French playwright and novelist Honoré de Balzac, his evolution as a writer and how his individual works fit into the design of La Comedie Humaine. The film was nominated for an Academy Award in 1952 and won first prize for best director at the Mannheim-Heidelberg International Film Festival the same year.
