The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.
The story is about a young man suffering mental retardation and sexual awakening, poet is charismatic and has the ability to pay attention to those little insignificant details of everyday life. His new status as a lover will bring popularity and with it problems will expose prejudice and false morality of a blinded people to wash their sins charged with the death of the less guilty.
Exposition of two different processes of forensic identification in exhumed bodies with features of violence.
"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.
A married, middle-aged well-known biochemist and university teacher Augusto, leaves his wife, his job and the comfort of his life to go after Marlene, a 14-year-old teenager with extraordinary beauty who burst into his life unexpectedly. One day, Marlene is taken from the custody of Augustus by Genaro, a psychotic sailor, who seduces and finally kidnaps her by taking to the ominous port of Tampico, where Augustus will seek her to try to free her, not without giving her life to pain and atonement, undergoing a deep personal transformation.
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
Three people live in the same building: An anxious teenager, a girl who wants to be kidnapped by a prince, and a maid who wants to explore eroticism.
Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.
Mexico City, 1960. Aurelia lives happily with her family. Just before the birth of her third daughter, her husband dies in an accident. Years later, Leonor, the oldest daughter, has quit her studies to help her mother support the household. Beatriz, immersed in her music, lets life slip her by like a strange melody. Adolescent Nadia has only one interest in life: to seek new experiences. Aurelia starts to lose her sensibility to pain, and the family relationships become so alienated that they begin to disintegrate like the house they live in.
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.
Their men went to the North in search of their destiny, while they stayed.
While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.
Nieri is an indigenous teenage boy from the Wirrarika culture, who is being indoctrinated by his father on the path of dreaming to reach the Blue Deer and become a Marakame. However, Nieri doubts about having the gift that is necessary to become a Marakame. His real dream is to play Mexican country music and to go to Mexico City to play there with his friends.
A young man returns to differente people and places in his life, to repay favors once done and change the lives of those surrounding him, forever.
Paul Leduc, Rafael Castanedo, Óscar Menéndez and other students filmed the CNH assemblies and took to the streets to record the rallies, demonstrations and confrontations that the various student groups held against the police and the army throughout 1968.
A child living with his parents in a lost city faces daily violence in a marginal environment. It was the first production of CUEC-UNAM.
A young woman has to deal with her mother's degradation due to Alzheimer's disease.
An aesthetic and politic portrait of Mexico ́s 90s decade through the biography of artist Rita Guerrero (1964-2011), who developed in different fields, mostly music and theater. She was the vocalist of Santa Sabina, a rock band in which she was the most remarkable figure. She committed herself to different social movements such as the Zapatista Army Movement (EZLN) and the Electoral Left. She died at 46 from breast cancer. Her voice and music left a mark on a generation.
A film essay that explores the relationship between film and memory, based on the personal memoir of the director. An autobiographical attempt to analyze this relationship going from the individual to the collective. From Chris Marker to Hitchcock and on to Kennedy´s assassination, passing through Fritz Lang and Bruce Willis, the memory of the images is fused with our own story, until they cannot be separated.
