Polish Film Institute

Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.

World War II. Kulak of Polish descent has been robbed. A man is so desperate that he decides to go through a minefield to pick apples for his dying son.

Hot summer, Renaissance palace. Three women remain in a carefree state of limbo, and an enigmatic system fulfills all their life needs – it provides food, entertainment and development. There is one condition – they are not allowed to cross the wall that surrounds their place. From under the idyllic picture, the other, darker side of the new reality quickly shines through. 'Glorious Summer’ is a story about how much we are willing to give away for a sense of security and lack of responsibility.

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.

In a local sports center, a man with a great need to talk but little to say recounts a recent dream to a nearby colleague, with deeply confusing and unexpected results.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.

A man awakes in his apartment but is stopped from leaving by an invisible line.

Marcel Lozinski was born in May 1940 in Paris, and he spent part of his childhood in various children’s homes. His Jewish communist parents were members of the resistance. After the war he went with his mother to Poland, where he became a celebrated documentary maker of some 20 films. Prompted by his son Pawel, also a renowned documentarian, the pair embark on a road trip from Warsaw to Paris. Father and son point the camera at each other and themselves and take stock of one another. In the end, the two men each made their own film about this journey.

A young woman becomes close with a mechanic who feels responsible for the death of her brother.

The world as we know it is dying before our very eyes. At a secret military centre somewhere on the Polish seacoast, scientists and the military are conducting research on a technology to transform repeat offenders with life sentences into animals. A young employee of the centre tries to free one of the female prisoners marked for the conversion.

A uniquely constructed portrait of the Polish Colonel Ryszard Kuklinski, who provided the CIA with more than 40,000 strategic documents from the Warsaw Pact during the Cold War. Was he a traitor, or the savior of Poland? The Polish documentary filmmaker Dariusz Jablonski begins his story of the colonel in 2004, when he was supposed to interview him for the very first time. It turns out that Kuklinski has just died, and at the request of the colonel's wheelchair-bound wife, Jablonski agrees to take care of his ashes. He talks with a considerable number of closely involved ex-servicemen -- from the U.S. head of espionage General William E. Odom to the Warsaw Pact Commander-in-Chief Viktor Kulikov, the Polish General Wojciech Jaruzelski, and former Polish President Lech Walesa.

Bartholmus is the mayor of a medieval coastal city. He is not interested in governance, but he is very fond of people applauding him. One day he learns that all mayors from the surrounding towns have bought new clocks for the town hall. Bartholmus only has a small and ugly clock, so he calls the great sculptor Hans and his helper Friday to the city. Together, they create an unusual clock, the beauty of which turns out to be dangerous.

During part verité, part exposé road trip, director Pawel Gula proves there is no honor in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably altered and the killers who are still debating the consequences of their actions. Broader commentary is given by officials and activists fighting this horrific tradition.

Kikimora is a malicious domestic spirit that becomes attached to a specific home. The heroine has to face him.

Interviews with students of the post-war Jewish I.L. Perec school in Łódź, Poland, who were mostly scattered around the world after anti-Semitic purges in 1968.

Janek is a young medical intern who struggles with financial problems and doubts about his future. Although he has been working so hard, the day before his promotion he makes a risky decision that may change his life forever.

After twenty years in prison, a man returns to his homeland to wait for death in peace. His world is completely changed when he accidentally meets a character from the magical world of nature.