Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
A bearded man hangs up a wreath and, like any good magician, waves his hands inside of it and under it to show us it's only a wreath…
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.
The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel.
In a medieval castle, a dark magician thought to be Mephistopheles conjures up a series of bizarre creatures and events in order to torment a pair of interloping cavaliers.
The film begins with a grandmother reading a story to a small child before tucking them into bed. No sooner has the mite fallen asleep than they begin dreaming of an angel standing over their bed and whisking them off to a land of giant toys. The kid wanders around for a bit before being led away by a lady who takes them to a forest where other young ladies dressed as butterflies dance around a bit.
This Georges Melies film is only available in a five-minute fragment. The film starts off with a title card setting up the events. An elderly miser keep all of his money to himself and refuses to help people no matter what they might need. We see him turn away a few people and then portions of the film are missing and we pick up later in the story as the old man is scared of something (apparently someone stole his money).
The seven-minute film takes place inside a classroom where some cops are learning English.
A priest is officiating at a convent, when suddenly he is transformed into the devil, who frightens away the nuns and turns the place into pandemonium.
A green-skinned demon places a woman and two courtiers into a flaming cauldron.
Surviving fragment of a longer film. A magician makes a butterfly woman appear, and a woman in a star. Exhausted, the magician falls asleep and the star woman turns into a spider, dragging the butterfly into her web.
At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help.
Georges Méliès' adaptation of Jonathan Swift's "Gulliver's Travels" is most distinguished, today, for being a color film of the classic story. Color was rare in 1902 (and many years after) as non-tinted color has to be hand painted on the film; this was an arduous task. Also notable is the film's short running time of approximately five minutes. Much of the original work is not covered, but viewers were expected to be familiar with the story, and enjoy the filmed highlights. There are a couple of scenes missing; according to contemporary reports, Gulliver's shipwreck was certainly included. You can do a lot in a few minutes, as Mr. Méliès includes a re-make of his own "Une partie de cartes" (1896), which already looked like something previously covered by the Lumière Brothers.
If a violin was actually broken here we don't get to see it. Sadly this is one of many Georges Melies films that are only available in a fragment. Hopefully one day a complete print will turn up but until then at least we have this. The film starts off in some sort of bakery as the boss starts giving orders and then a bit later we see a young man pull out a violin he has been hiding and start to play it. The film then flashes to another location but this is where it cuts off so I'm not certain where the story went from here.
Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand to colour it. Originally a 15 minute film, twelve and a half minutes of painted film have been found and have been restored.
An actor tries to get to a show on time. Many mishaps along the way.
An incident of the Franco-Prussian War. It shows the bombardment of a house at Bazeille. It is the animated reproduction of de Neuville's celebrated painting.
A man makes twenty complete changes in two minutes, combining with them dances. The changes are made in full sight of the audience. Biondi, Fregoli and Mons change behind the scenes.
