Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Title | C-Film |
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Year | 1970 |
Genre | Documentary |
Country | United Kingdom |
Studio | |
Cast | Sally Geeson, Ester Anderson |
Crew | Stephen Dwoskin (Director), Stephen Dwoskin (Editor), Stephen Dwoskin (Cinematography), Alan Power (Producer), Ron Geesin (Sound) |
Keyword | makeup, structural film, short film |
Release | Jan 01, 1970 |
Runtime | 14 minutes |
Quality | HD |
IMDb | 6.50 / 10 by 2 users |
Popularity | 1 |
Budget | 0 |
Revenue | 0 |
Language | English |