“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”
Title | Ruby Nell Sales |
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Year | 2022 |
Genre | Documentary |
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Studio | |
Cast | |
Crew | Adam Pendleton (Director), Chayse Irvin (Cinematography), Grason Caldwell (Editor), Myriam Schroeter (Producer), Sierra Pettengill (Archival Footage Research) |
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Release | Apr 06, 2022 |
Runtime | 61 minutes |
Quality | HD |
IMDb | 0.00 / 10 by 0 users |
Popularity | 0 |
Budget | 0 |
Revenue | 0 |
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