Trzecia już część przygodowo-familijnego filmu Roberta Rodrigueza opowiadającego o przygodach nastoletnich szpiegów pracujących, tak samo jak ich rodzice, dla rządu USA. Tym razem Carmen zostaje uwięziona w wirtualnej grze stworzonej przez niejakiego "Toymakera". Juni rusza na pomoc siostrze, podejmując tym samym walkę ze złem, które zagraża całemu światu!
Dzieci największych tajnych agentów na świecie nieświadomie pomagają potężnemu twórcy gier uwolnić wirusa komputerowego, który daje mu kontrolę nad wszystkimi technologiami, co prowadzi ich do zostania szpiegami, aby ocalić swoich rodziców i świat.
Rafał i Bartek rzucają pracę w korporacjach i postanawiają stworzyć swoją pierwszą grę video. Film pokazuje ostatnie miesiące pracy nad projektem, zmagania z wydaniem wersji na Playstation, emocje bohaterów związane z premierą oraz próby przebicia się do świadomości gwiazd youtuba i prasy branżowej.
Sato's life – or what's left of it – is a paranoid mess of conspiracy theories and social anxieties. He's terrified of the outside world; his apartment is overflowing with the remnants of cheap take-out food; and his retinas have been permanently scarred by a steady diet of internet porn. But maybe it's not all his fault. After all, the nefarious N.H.K. is out there, and they’re determined to turn society's fringe-dwellers into a brainwashed lot of jobless, hopeless, futureless recluses. Enter Misaki – a mysterious girl-next-door type who is Sato's last chance to beat-down his inner demons and venture out into the light of day. She's ready to help him overcome his crippling phobias, but Sato would rather cower in his existential foxhole and pretend to work on the demo for his virtual sex game. He’s afraid to face the world. She's strangely desperate to fix a total stranger. Maybe together they can be normal.
"Wonderland" is a hugely popular virtual reality game, but the game's developer, Lu Weida, is from the future. Lu Weida was absconded to the present day and used the future technology and thus earning huge wealth. Meanwhile, Lu Weida's real purpose is to make the game's monster "Chimeras" to appear in the real world, and eventually rule it by controlling them. A new legend begins.
Filmed in five cities over a six month period, each episode pairs two indie developers together for 48 hours and challenges them to create a game based on a theme suggested by their peers. The series examines the creative process, technical skill, and friendships that form through a game jam event on a more personal and intimate level. Super Game Jam spans five episodes, each of which includes one of the five games - exploring intimate topics, abstract themes or complete madness.
