Sherlock Jr.

Sherlock Jr. 1924

8.07

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

1924

The Scarecrow

The Scarecrow 1920

7.40

Two farmhands compete for the love of the farmer's daughter.

1920

The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse 1921

6.60

Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.

1921

Neighbors

Neighbors 1920

7.10

The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.

1920

The Saphead

The Saphead 1920

5.80

Nick Van Alstyne owns the Henrietta silver mine and is very rich and his son Bertie is naive and spoiled. His daughter Rose is married to shady investor Mark. Mark wrecks Bertie's wedding plans by making him take the blame for Mark's illegitimate daughter, and also nearly ruins the family business by selling off some stock at too low a price.

1920

Convict 13

Convict 13 1920

6.70

A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.

1920

The Lucky Dog

The Lucky Dog 1921

5.80

In their first screen appearance together, Stan plays a penniless dog lover and Oliver plays a crook who tries to rob him and his new paramour.

1921

The Toll of the Sea

The Toll of the Sea 1923

6.20

A young Chinese woman saves an American man washed up onto the shore and the two fall in love, only for him to have second thoughts.

1923

The Prisoner of Zenda

The Prisoner of Zenda 1922

6.20

A kingdom's ascending heir, marked for assassination, switches identities with a lookalike, who takes his place at the coronation. When the real king is kidnapped, his followers try to find him, while the stand-in falls in love with the king's intended bride, the beautiful Princess Flavia.

1922

Scaramouche

Scaramouche 1923

7.20

A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend, the student adopts the identity of Scaramouche the clown.

1923

Alias Ladyfingers

Alias Ladyfingers 1921

6.00

When Rachel Stetherill's daughter marries a man of whom she disapproves, Rachel disowns her. Five years later her daughter, now widowed, is killed. Her young son comes under the influence of a professional safecracker and is soon on his way to becoming a hardened criminal. Twenty yeas later the Stetherill family lawyer learns that the infamous thief known as Ladyfingers bears a striking resemblance to Rachel's husband--and has fallen in love with Enid, Mrs. Stetherill's young ward. Complications ensue.

1921

Mud and Sand

Mud and Sand 1922

5.90

Rhubarb Vaselino lives in a small village, when he and his friend, Sapo, enter a bullfighting contest, Sapo dies, but Rhubarb kills three bulls and becomes a local hero earning money. Two years later, he is living in Madrid as a national hero , when he becomes involved with Filet de Sol, and his lover finds out, he must fight the most deadliest in Spain, in the last bull fight of the season.

1922

The Conquering Power

The Conquering Power 1921

5.80

Young playboy Charles Grandet is sent to live with his miserly uncle after his father loses his fortune. He and his cousin Eugenie fall in love, but his uncle sends him away and tries to arrange a marriage more to his liking (and profit!). Will true love triumph?

1921

Peg o' My Heart

Peg o' My Heart 1922

7.00

PEG O MY HEART (Metro Studios, 1922), directed by King Vidor, under the supervision of J. Hartley Manners, introduces the legendary theatrical actress Laurette Taylor (1884-1946) to the screen reprising the role she made famous as a poor Irish farm girl who inherits a fortune but would rather have happiness instead. While a bit too old for the character supposedly in her late teens or early twenties, Laurette was tailor made for it.

1922

Trifling Women

Trifling Women 1922

1.00

Leon de Severac is fed up with his daughter Jacqueline, who is constantly seducing men. Hoping to discourage her from her flirtatious behavior, he tells her the story of Zareda, an attractive fortune teller who is having an affair with Ivan de Maupin.

1922

Blue Jeans

Blue Jeans 1917

5.50

June, a young orphan, is befriended by Perry Bascom when he shares his lunch with her on the road to Rising Sun. They soon fall in love and marry, only to find out that a woman in Perry's past has come to town to make trouble. Teaming up with the local political bully, the schemers set out to make Perry's life miserable, but June sticks by her husband to the end.

1917

The Red Lantern

The Red Lantern 1919

6.00

Mahlee and Blanche Sackville are half-sisters, Blanche the daughter of an Englishman and his wife, Mahlee of the Englishman and his Chinese mistress. Mahlee rejects her people and attempts to find a life for herself among the Europeans. But she finds the color line impossible to pass and returns to lead her Chinese people in rebellion.

1919

Sherlock Brown

Sherlock Brown 1922

1

The secret formula for the world's most powerful explosive has been stolen from the U.S. government. William Brown, a clerk who aspires to be a detective, has just received his badge from some anonymous Midwestern agency, and manages to get himself embroiled in the intrigue.

1922

The Social Code

The Social Code 1923

1

Babs Van Buren saves her lover from the electric chair and at the same time extricates her older sister, Connie from a trying situation.

1923

Alias Jimmy Valentine

Alias Jimmy Valentine 1920

1

The saga of Alias Jimmy Valentine began with the O. Henry story "A Retrieved Reformation". This surprise-ending tale was adapted into a stage play by Paul Armstrong, which subsequently was adapted to film several times

1920