Appalshop

Anne Braden: Southern Patriot is a first person documentary about the extraordinary life of this American civil rights leader. Braden was hailed by Dr. Martin Luther King Jr. in his 1963 Letter from Birmingham Jail as a white southerner whose rejection of her segregationist upbringing was eloquent and prophetic. Ostracized as a red in the 1950s, she fought for an inclusive movement community and mentored three generations of social justice advocates. Braden’s story explores not only the dangers of racism and political repression but also the power of a woman’s life spent in commitment to social justice.

For Nixon's first public appearance since resigning the presidency, Richard Nixon chose the small mountain community of Leslie County, Kentucky. Priceless footage of Nixon's 1978 visit introduces this incisive and sometimes hilarious look at the engines that drive American politics. The film explores the machinations of party politics in this rural and staunchly Republican county: hollow to hollow vote-hunting; family squabbles over candidates; patronage promises; speech-making on the courthouse steps; and the up-and-down career of the incumbent county Judge-Executive who sought re-election while under indictment for vote fraud conspiracy

Appalshop’s first dramatic film, In Ya Blood is the story of a prototypical young man from Appalachia in the summer after his senior year in high school. Randy, the protagonist, must make the difficult decision faced by many Appalachian youth‑‑whether to stay in the mountains or leave in search of a “better life.” The film follows Randy as he struggles with his alternatives of working in the coal mines or going off to college. Shot in black and white by filmmakers the same age as those portrayed in the film, In Ya Blood is highly effective as an insider’s look at the decisions faced by many teenagers as they consider their futures.

The experience of artmaking in Appalachia is a complex one. An Appalachian identity often creates a distinctive and strong relationship between person and homeplace, but artists are told they need to leave the region in order to learn and innovate. Being told to leave home and to escape tradition is a hard thing to reckon with, both as a person and an artist. When the artists we interviewed left home, their connection with a homeplace was what inspired them creatively much more than the urban, non-Appalachian communities they joined. As young artists in Appalachia, we wanted to learn from their innovations and their experiences of coming home in “The Art of Finding Home.”

1974 documentary about Clarence Frederick "Catfish" Gray a herbalist and folk doctor in West Virginia.

Ray Hicks is a mountain farmer from Beech Mountain, North Carolina, with a genius for telling traditional folktales that have been passed down in his family for generations. This film shows Ray working on his farm, gathering herbs in the woods, and describing his family’s tradition of storytelling and his theories of human and natural continuity. Running throughout the film is Ray telling a tale called “Whickity-Whack, Into My Sack” (also known as “Soldier Jack”). Viewers will be charmed by Ray's tales and wiser to the traditional ways of life still in practice in the 1970s in central Appalachia.

Coal Bucket Outlaw is a documentary that asks Americans to look at where our energy comes from at a time when coal still produced over half of our nation's electricity, and reveals the human and environmental price we pay for our national addiction to fossil fuels. Built around a day in the life of a Kentucky coal truck driver, the film brings viewers into the cab of the truck and into the lives of the people who live and work by coal haul roads for a truly wild ride. A veteran driver who owns his own truck, and a young family struggling to pay the bills guide the audience along one-lane roads, up tight hollows, onto strip mines, and around coal processing facilities, while discussion of coal’s role in providing our nation with electricity connects the lives of these truckers to the lives of everyone in America.

There is a constant tension between the forces of an ever-changing economy and the need to have stable communities. As technologies change, workers can lose their jobs and whole communities can be capsized. Beyond Measure looks at thousands of coal miners who are losing their jobs as newer and bigger machine moves through the coalfields. The film places the present challenges in a larger historical context and documents efforts of citizens to rebuild their communities, highlighting the beauty and challenges of living in the mountains through people's descriptions of their daily lives in their own voices. They describe how the mutual aid and support of extended families and attachments to the land are more important than the things economists usually measure, prompting questions about the true costs of economic and technological change.

John Jacob Niles is a portrait of the adding machine repairman who came to Eastern Kentucky in 1909, “heard the songs [his] father sang,” and became a much-noted “arranger, expander, collector, recorder, and performer” of traditional Appalachian ballads. Niles played an important part in the national “discovery” of Appalachian folk music. He describes how he travelled with the photographer Doris Ulmann through the 1920s and 30s — she taking pictures of the people, and he learning their songs. The film shows Niles in concert, at home, at work arranging his music, and explaining the historical place of balladry in American music.

In this small town “epic,” the people of Whitesburg, KY speak directly to the camera about unemployment, student unrest, and the Vietnam War. The down-home candor of the exchanges presents a revolutionary alternative to the voice-over narration then common in commercial productions. Stripped to the basics, the documentary has an energy and immediacy only possible in a film made by the participants themselves.