Carmen - Glyndebourne Festival Opera

Carmen - Glyndebourne Festival Opera 1985

1

Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.

1985

Hail Bop! A Portrait of John Adams

Hail Bop! A Portrait of John Adams 2006

1

Shot over the course of a year, this intimate portrait of provocative composer John Adams presents scenes of the artist at work and at play against the backdrop of dramatic American landscapes that reflect the themes of his music. Though he has a number of credits to his name, Adams is best known for his unconventional opera "Nixon in China," which explores the former U.S. president's meeting with Mao Zedong in 1972.

2006

Definitely Dusty

Definitely Dusty 1999

8.00

Documentary looking at the life and work of soul and pop diva Dusty Springfield.

1999

The Prince of the Pagodas

The Prince of the Pagodas 1990

1

The Prince of the Pagodas is a ballet created for The Royal Ballet by choreographer John Cranko with music commissioned from Benjamin Britten. Its premiere took place on 1 January 1957 at the Royal Opera House, Covent Garden, London, conducted by Britten

1990

A Night with Handel

A Night with Handel 1997

1

Handel is a thoroughly 'modern' composer whose genius for expressing human emotions is undimmed by time. This performance-based film, A Night with Handel, stylishly dramatises some of the composer's most beautiful arias, linked together over the course of one night in present-day London. Presented by Handel biographer, Jonathan Keates, the arias are specially recorded by world-class singers, accompanied by the Orchestra of the Age of Enlightenment.

1997

Manon Lescaut

Manon Lescaut 1983

7.00

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

1983

Lulu

Lulu 1996

7.20

Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.

1996

Swan Lake

Swan Lake 1998

9.00

Contemporary dance company Adventures In Motion Pictures' triumphant modern re-interpretation of Swan Lake, with its cast of male swans, has turned tradition upside down and has taken the ballet fraternity by storm. Never has such a contemporary re-working of a traditional ballet thrilled both ardent critics and modern dance enthusiasts in such equal measure. Originally broadcast on the PBS series "Great Performances" (season 26, episode 15).

1998

Boris Godunov

Boris Godunov 1987

3.00

Mussorgsky's quintessential Russian opera is captured live on stage in this performance by the Bolshoi Opera featuring Rimsky-Korsakov's revised vision and starring Evgeny Nesternko and Vladislav Piavko.

1987

Rimsky-Korsakov: Mlada (Bolshoi Opera/Ballet)

Rimsky-Korsakov: Mlada (Bolshoi Opera/Ballet) 1992

1

Nina Ananiashvili dances the dual roles of Mlada and Cleopatra in this acclaimed production of composer Nikolai Rimsky-Korsakov's "Mlada," directed by Boris Pokrovsky and choreographed by Andrei Petrov. Voislava, the daughter of a scheming prince, is forced to present his rival's bride with a poisoned ring so Voislava can marry him instead -- and her father can take over his kingdom. Will she get her just desserts when the gods intervene?

1992

I Vespri Siciliani

I Vespri Siciliani 1986

1

I Vespri Siciliani must me Verdi's most underrated masterpiece. Most people are put off by the fact that it has 5 acts, therefore they conclude that it must be incredibly long. It is long but not as long as some people may fear as most of the acts are under half an hour each. The total length of the DVD in question is 171 minutes, just under 3 hours, including titles at the beginning, applauses and curtain calls between the acts and at the end. The opera contains Verdi's most powerful overture and a number of very elegant arias, duets and ensembles for the principals.

1986

Richter: The Enigma

Richter: The Enigma 1998

10.00

This biography of Sviatoslav Richter, the great Russian pianist who dedicated his life to music and had little regard for fame in the West, shines a light on his formative years and places him against the setting of a chaotic USSR culture.

1998

Verdi La Traviata

Verdi La Traviata 1992

4.00

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

1992

Giovanna d'Arco

Giovanna d'Arco 1989

1

Director Werner Herzog, one of the most highly acclaimed German film makers, joins forces with the great Italian conductor Riccardo Chailly to effect a masterful rendition of this rarely-performed opera involving spectacular scenes of alternating light and dark, pageantry and intimacy. Staged and recorded at Teatro Comunale di Bologna in Bologna, Italy.

1989

The Sleeping Beauty

The Sleeping Beauty 1983

1

Romance and fairy tale come alive in this astounding interpretation of a childhood classic, Sleeping Beauty. In the hands of the celebrated Kirov Ballet, featuring choreography by Marius Petipa, Sleeping Beauty is no less than magical, recounting the story of a scorned witch who, upon being snubbed by the king and queen when they don't invite her to their baby's christening, casts an evil spell. Featured dancers include Irina Kolpakova.

1983

Swan Lake

Swan Lake 1982

1

The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.

1982

Antonín Dvorák: The Devil and Kate

Antonín Dvorák: The Devil and Kate 2009

1

Albert Rosen conducts the Wexford Festival Opera's production of the classic Antonín Dvorák tale about a young woman who defies her parents by insisting on dancing even if it means she must dance with the devil. Anne-Marie Owens plays Kate, who's dismayed to discover that her spontaneous outburst has attracted the attention of one of Lucifer's minions. Joseph Evans stars as Jirka, the handsome shepherd who risks a voyage to hell to rescue her.

2009

Monteverdi - L'Incoronazione Di Poppea

Monteverdi - L'Incoronazione Di Poppea 1984

1

This is a finely tuned opera with music by the Italian composer, Claudio Monteverdi, libretto by G. E. Busenello, and the fine voices of contralto Maria Ewing, baritone Dennis Bailey, and several other sub-leads is not to be missed and will be fully enjoyed. No lead tenor here and none needed. No soprano here as a lead and none needed. One of the joys of my watching and listening outside the opera hall. The story line is strong and the tale well carried out.

1984

The Nutcracker

The Nutcracker 1989

1

The Paris Opera Ballet's 1988 revised version of Rudolf Nureyev's 1963 production of The Nutcracker.

1989