Som do Morro 2016
In Mãe Luiza, on the outskirts of the city of Natal, the sounds of everyday life are mixed with the beats of funk, leading us to immerse ourselves in a universe of dreams, recognition and prejudice experienced by local youth.
In Mãe Luiza, on the outskirts of the city of Natal, the sounds of everyday life are mixed with the beats of funk, leading us to immerse ourselves in a universe of dreams, recognition and prejudice experienced by local youth.
Ciana and Zefinha have always lived for each other. Surviving is a daily challenge and knowing how to forgive without remembering the past will be essential to moving forward.
The long afternoons mark the last stage of a relationship. Like a doll she always wanted to have, Josy takes care of her mother. Her sleek body and her features, which blend into the masculine and feminine, mark her personality. Her mother, a lady debilitated by a degenerative disease, which confuses the real and the imaginary, has never had a relationship as close to that son as now, which depends on him.
Peter is facing a relationship never experienced. Johnny has come a long way and follows the cycle of his life. Leave, stay, come back. SAILOR recounts an unexpected encounter, inspired by the song "Surabaya Johnny" by Bertolt Brecht and Kurt Weill.
Bianca, a public school teacher, decides to renovate her house after receiving the news that her daughter is coming home.
Flávio and Wendel are from the same soccer school and they share the dream of being a professional soccer player. Flávio is having doubts whether he should keep trying and when he thinks about quitting, Wendel realizes that what they feel for each other might be more than just friendship.
Guilherme is 11 years old and finds a way to deal with life's adversities in friends and games.