Filmed with an intimate three camera shoot by Antonio Ferrera, a close friend of John Zorn and a long time cameraman for the documentary masters the Maysles Brothers, this concert film captures the band performing a set of Zorn's Masada compositions at their home base in the Lower East Side, Tonic, in the summer of 1999.
A rare peek into the working methods of John Zorn. Filmed over a ten year period, this documentary includes live footage of Masada, Naked City, Cobra, as well as improvisations, his classical work and rare interviews. A prize winner at European festivals, this film documents Heuermann's very personal, fifteen year odyssey with the music of John Zorn.
Part of a CD+DVD set released by Tzadik. Recorded at the powerful organ at Henry LeBoeuf Hall, Bozar in Brussels, this is one of Zorn’s most beautiful and personal solo performances—a dramatic musical reading of the epic Faust legend. Featuring a guest appearance by the sensational vocalist Barbara Hannigan, who is improvising with Zorn for the very first time. No one plays the organ quite like Zorn and many of his unusual techniques, usually hidden in performance, are presented in close focus. Beautifully filmed by state of the art equipment, this is a wild and colorful concert by two mavericks of new music.
A story told by director Ken Jacobs but without conventional storyline. Using a modified magic lantern, an early type of image projector developed in the 17th century, he morphs, flickering images that look like photo-negatives.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
First created and presented as a Tzadik New Jewish Culture offering in 1993. First performed live as a Nervous System performance with Catherine Jauniaux performing onstage, this version has been reconstructed from scratch (film-frame by film-frame) on the computer. This current embodiment does not hesitate to electronically embrace the fish-peddlers and buyers of 1903.
Loosely based on a section of the great Indian Mahabharata epic, Mori's Bhima Swarga (The Heaven of Bhima) is a riveting audiovisual exercise that uses mural paintings from the 18th century Kertha Gosha court in Bali to create a beautiful jigsaw of colour, glitch, figurative exoticism and plastic abstraction
Ikue Mori continues to be one of the most respected and original voices in the laptop electronic music scene. Distinct and personal, her sounds are immediately recognizable as her own. For the past several years she has been incorporating visual imagery into her presentations, animating cutouts from Japanese woodblock prints in ways both charming and disturbing. Her latest work is her best yet, and draws upon the rich literature of Japanese Kibyoshi, satirical comics which pointed sharp barbs at contemporary society with a sharp focus on gossip, literature, political affairs and current events. Reversing, inverting and twisting truth and fiction, Ikue Mori creates a rich world of her own with sound and image.
A rare and powerful solo performance by one of the most important and original artists in the world. Recorded in 1980 at a studio out on Long Island, Meredith is in full voice, relaxed and creatively inspired by a small audience of Monk cogniscenti. Recorded with a 3-camera shoot and then put on the shelf, Tzadik is proud to present the first release of this astonishing virtuoso solo performance. Featuring acappella compositions as well as pieces where she accompanies herself on the piano, this is an intimate view of this remarkable and sensitive Renaissance woman.
