The Legend of Blood Castle

The Legend of Blood Castle 1973

5.20

Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.

1973

Fierce Love, or When Children Play at Love

Fierce Love, or When Children Play at Love 1975

4.40

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

1975

Canticle

Canticle 1972

3.50

While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.

1972

¡Al fútbol!

¡Al fútbol! 1975

5.10

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

1975

Mi Marilyn

Mi Marilyn 1975

6.10

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

1975

Acteón

Acteón 1967

5.20

An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.

1967

… ere erera baleibu izik subua aruaren…

… ere erera baleibu izik subua aruaren… 1970

7.60

An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.

1970

Operación H

Operación H 1963

1

In 1963, the businessman Juan Huarte Beaumont, art patron, collector and founder of X Films, a film production company based in Madrid, invited the Basque artists Nestor Basterretxea and Jorge Oteiza to make a promotional short about his companies. Certain conditions were attached to the commission: the artists were each to present finished scripts without any contact with each other about them. Huarte chose Basterretxea's script, and Basterretxea directed the film, which was given the title 'Operación H' in postproduction.

1963

Garabatos

Garabatos 1964

1

Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.

1964

Gente de boina

Gente de boina 1971

1

A short documentary about the spanish town of Tomelloso and the hat the villagers use to wear

1971

Homage to Tarzan

Homage to Tarzan 1970

5.00

Avant-garde analog animation techniques in stark black and white dramatize the effect of white men’s violence on an African jungle.

1970