Hrvatski Filmski Savez (HFS)

Marija grew up in a family that lives Yugoslav ideals even today. Given that Marija and her family are of Serbian origin, who continued to live in Croatia, regardless of the pressures of the recent war, the Yugoslav identity is the one they felt closest to. She had always felt that her family's ideals were her own, until her life path turned her in a different direction. When she founded her own family with her husband, she began to question her parents' and grandparents' values, as well as her own, and if that was the environment in which she wanted to raise her son. Within a journey through the family history, Marija opts for a "new beginning" in a totally different environment and sets up a new home - in Sweden. This film is a story about growing up, separation from the nest, and accepting one's own value system, and how to get there, in the atmosphere of a stable and loving family.

A stray dog tries to find suitable boss in a newly-built city resort.

A young widow, an aging widower-returnee, and a priest from a bankrupt parish are struggling to come to terms with the post-war environment, complete with its prejudices, illusions, and unpleasant mentality. What follows is a romantic comedy set in rough landscape, about a woman who falls in love with a local priest. He is not blind to her love, but is unable to choose between the church and her, until the circumstances force him to make his choice.

Just like any other 13-year-old, Antun is irritated by his younger brother.

Croatian singer/songwriter/poet Arsen Dedić tells the story of his life.

Oleg is a film student who leads a spartan life surrounded by analogue technology. A librarian during daytime, Marta is an avant-garde novelist who works with alternate subjectivity. Narrated from each of their perspectives, Čučić’s film recounts a romance that never ceases to take new shape.

Two strangers: a man and a woman meet in an elevator. When the elevator gets stuck, irreconcilable differences between two protagonists resurface. What follows is a surreal interplay of passion and dreams and a confrontation that evolves into a ruthless fight for survival.

Father and son review the problems in their communication that have been accumulating in years. The son cannot get rid of fears that his life is being a true copy of his father's projections of his future, so he shoots a video letter with his amateur camera in which he tries to make his father look bad and present the evidences that would indicate how he became a much better person than him.

Documentary about the life and work of Ivan Martinac (1938-2005), avant-garde & experimentalist filmmaker from Split, Croatia.

The film follows morning events at Bacvice beach. At dawn, before sunrise, the beach becomes a place of an unusual clash. From nearby clubs and cafes, numerous groups of young people cross the beach on their way home. At the same time, older people start coming. They walk, come, pass by and go.

It is a well known fact that films also have their own poets, but wider audience is not familiarized with one of the most lucid and the most significant poets of films on the territory of former Yugoslavia and that is Mihovil Pansini. The sole reason for his unfamiliarity is the fact that he exclusively worked on amateur films. The fate of amateur film in our country was never (and probably won't be in the future either) publically recognized with enough understanding, even though during the last 50 years it was the only example of authentic avant-garde in the field of film expression. Through Pansini's thoughts and film clips, this documentary is attempting to reconstruct, to some extent, this extraordinary author's amateur film making development.

Due to professional and personal problems, Dr Zodiac loses himself to childhood obsession with circus and eventually escapes from humanity altogether.

Mario Haber was a sound engineer and a dedicated brandy maker. For over a decade, he had been recording colorful conversations and sounds in his house and around the alcohol fermenter. The Spirits Diary is a visual reconstruction of his audio recordings.

A short documentary about one of the most prominent Croatian actors of all time.

In this very timely observational meditation on the growing militarization of today’s society, we are watching what is really happening aboard a US aircraft carrier, as well as behind the scenes of a military parade. With his trademark long-take sequences, using a free-associative editing style, acclaimed experimental documentarist Boris Poljak creates an atmosphere of anxiety and loneliness, perfectly in tune with the fear of the uncertain future that we all feel.

A monumental homage to Glenn Miller, a one shot film - Glenn Miller 2000. This 26- minute long piece, shot on a circular road in Novi Zagreb in many ways corresponded to the previously discussed attributes that linked Tom's homages and "uses" of Glenn Miller with Miller's music and personality.

The film sheds light on the unprecedented history of Croatian cinema, which took place at the table of renowned Zagreb film critic and bohemian Vladimir Vukovic. This circle of film lovers, called Hitchcockers, brought together film directors, critics and theorists who would later become Croatian filmmakers.

In a village near Bednja all the inhabitants are born on the same date - 17th October. There are many theories about the causes of this unusual phenomenon, but one thing is certain: it has marked the locals' private and social life.

An oniric video about the process of contemplation without cuts, because all life is in segue. Meditation on duration, time and the relationship of the inner world of an individual and the technological surrounding.