Fourth short film in Stefan Nadelman's look at the time his father spent at The Terminal Bar in NYC. This time Nadelman shows the pictures he took of the garbage can directly outside which serves as yet another portal into the streets at that time.
From 1973-1981, bartender Sheldon Nadelman shot over 1,500 black and white photographs of his customers at the Terminal Bar, located in midtown Manhattan. These are their stories as recollected by Sheldon 25 years after the bar closed its doors for good in 1982. Last Call examines a broad swath of the bar's clientele, some of them regulars, some of them one-offs and uncovers these never-before-heard stories of a bar community that would otherwise be forgotten.
A hiker gets distracted from lunch by the sight of a cute little dog...
In Sink (get it?), each video clip is accompanied by the audio clip from the video that preceded it.
Psychedelic animated short capturing the spirit of surfing
A look at the gritty world of New York through the eyes of Sheldon Nadelman, bartender at the old Terminal Bar. A follow up to the prize winning short from 2002.
An office worker tries frantically to outpace his co-workers in this lighting fast dash across the big city. Commissioned for Art of Speed at Nikelab.
Musical animated short film that plays on root language. Short animation premiered at ResFest 2000.
A history of war done tastefully.
Third installment in Stefan Nadelman's ongoing short doc series about his father and the infamous Terminal bar in NYC.
Short documentary of Stefan Nadelman's road trip across America, focusing on other tourists and their compulsions and desires to photograph. The film won the Perrier Across America short film contest and earned a spot in the national ResFest touring digital film festival.
