Palavra-chave Stonehenge

Um médico investiga as mortes violentas de pacientes no seu hospital e descobre o responsável pelas atrocidades: um maníaco, criador de máscaras de bruxas, determinado a espalhar o terror por todo o país.

Magia antiga encontra o mundo moderno quando o jovem Alex encontra a espada mística Excalibur. Para lutar contra a feiticeira Morgana, que ameaça o futuro da humanidade, Alex une-se a um grupo de cavaleiros e ao legendário mago Merlin.

Na Inglaterra do século 19, a bela Tess, filha de um fazendeiro, é enviada para viver com parentes nobres. Ela é seduzida e abandonada por seu primo distante, Alec. De volta à fazenda de seu pai, ela dá à luz um bebê natimorto e enfrenta a hipocrisia da sociedade. Baseado no romance de Thomas Hardy.

Quando um grupo de arqueólogos desenterraram o esqueleto de um ser humano perto do histórico monumento de Stonehenge, um antigo dispositivo é descoberto escondido sob a rocha. Não sabendo o que poderia ser, os trabalhadores acidentalmente acionam o mecanismo e iniciam uma cadeia de eventos que podem muito bem acabar com o mundo como nós o conhecemos.

Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.