Wytwórnia Filmów Dokumentalnych

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A portrait of a traveling circus.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

The confession of a man who was the director of a factory in Lower Silesia. "He was a Party member but opposed to the Mafia-like organization of Party members which was active in that factory and region. Those people were stealing and debiting the factory account. He didn’t realize that people higher up were involved in the affair. And they finished him off.’ (Krzysztof Kieslowski)

People of different age, profession and social status answer two simple questions: who they are and what they want from life.

Polish schoolboy Janek, and Russian girl Tanya are traveling by a plane which ended up in the hands of a gang of drug dealers headed by ex Nazi criminal Henrich Scharf.

An experimental short film by Walerian Borowczyk and Jan Lenica.

A former inmate of the Auschwitz concentration camp, accused of being a kapo, is serving a life sentence. From the monologue to the camera, we learn the story of an average man destroyed in terrible times.

The final film produced by Warsaw’s Documentary Film Studio is an epic re-enactment of a treacherous mission by the Voluntary Tatra Mountain Rescue Service to aid colleagues stranded behind enemy lines at the close of World War II (several real participants feature in the film). Based on a short story about the rescue by Adam Liberak, Munk’s final “documentary” is also arguably his first major exercise in the craft of narrative filmmaking.

An official falls victim to hooligans. He recognizes one of the attackers at a party organized by his director.

A street poll about contemporary youth. The answers are engineered to show the manipulation of propaganda and television.

24 hours in the life of a hospital from the point of view of the doctors and nurses.

A communist party control committee interrogates a worker and party activist who is to be excluded from the party.

This movie is about the visit of Clive Harris, the famous healer, to Warsaw. Incredible crowds gather before the entrance and Harris "heals" thousands of people by briefly touching them. Tireless on his stand, he fulfills his duty for 24 hours a day.

Despite the fact that the film is a documentary, its lead character and his life story are fictitious, though very probable. It is one of the best examples of creative documentary film-making of Wojciech Wiszniewski.

More and more mourners join a queue for the stonemason. He is played by Jan Himilsbach (1931-1988), an untrained actor, ("Rejs" 1970) and prose writer ("Przepychanka" 1974). In the film, he works at the Powązki Cemetery in Warsaw. Some of the people begin to argue about the queue order: Piotr Fronczewski (actor), Marek Piwowski (director), Władysław Komar (athlete, actor). Himilsbach wakes up and talks about his gold rush dream with Jack London and Martin Eden. More people join the bar where he waits for 1 p.m. (alcohol is sold then). They ask him for a loan, Zbigniew Buczkowski (actor) is one of them. On the set, Himilsbach is asked to act consciously, however, he is mainly interested in the amount of his fee. Surprisingly enough, he talks about actors and their mission during a meeting with young people in the park. In his dreams, the man sees himself as a seductive satire (colored part). At the very end of the day, the protagonist performs in a cabaret group.

Documentary about the beginning of Solidarnosc.

August 1939. After publishing an article criticizing the government, a journalist has to hide from the authorities.