Kokuei Company

When the all-girl gang, The Bombers, kidnap a man to use as their personal sex slave, S&M Hunter accepts the mission to infiltrate The Bombers' hideout and show them the ropes.

Japanese cult filmmaker Hisayasu Sato took a crack from his constant climb toward respectability with this particular kinky pinku-eiga entry aimed at the latex and rubber fetish set. A medical center nurse dealing with a patient for amnesia finds out that he is the serial slayer whom has been wandering the city armed with a metal baseball bat. The story is really an excuse for many softcore couplings offering rubber gloves as well as the like. an usually downbeat wallow in the perverse, perhaps offering evidence that while one can take the filmmaker out of the slum, the reverse is often untrue. Maya Shiraki movie stars with the omnipresent Takeshi Ito and Yoko Fujita.

Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.

A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.

The film tells a story about a woman and her relationship with the family of her husband's, in particular her husband's younger brother and father-in-law. Her husband, on the other hand, has an affair with a dominatrix and is obsessed in S&M games.

Pink film from 1985

A girl named Ai gets a major record deal to sing a song written by a friend of hers who is deceased. However an obsessed stalker fan slowly starts becoming more like her and tearing her world apart.

Desensitized and dissatisfied, a young yet jaded sexual veteran sets out on a journey of self-discovery while teetering on the threshold of womanhood. Yasuko is taking part in an orgy when she realizes that she has lost all feeling - not just physically, but emotionally as well. Now, with the weight of responsibility and adult expectation weighing down on her shoulders, Yasuko attempts to better understand how she could be so empty at such a tender age.

A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.

Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

When the '70s ended the anger of young people rose, differences in social values ​​occurred between adults and young people, and the word "generation" began to be widespread among the young people.,The film depicts a group of young men and women who are forced to flee their homes after committing a murder. The screenplay is written by Wataru Hino (a pseudonym of Atsushi Yamatoya), wherein he asks whether these young people are sick or sensible.

As his investments in the stock market fail, a man finds himself in serious debt to a lecherous loan-shark named Uchiyama. The man's wife hires herself to Uchiyama to buy time for the husband to pay off the debt. After Uchiyama uses the wife to provide companionship for his mentally-impaired son, she is hit by a car, and her husband falls into despair and illness. Their daughter works as a nightclub dancer, intending to save the money to help with the debt. After her father's suicide, the girl decides to get revenge.

Asako and Tomoko, who live next door to each other in a certain apartment complex, are housewives who frequently chat with each other. Asako, who is on good terms with her husband, Keiji, tells Tomoko about their nightly activities, and Tomoko, who is in a lull with her husband, Shinpei, envies her for it. One day, Keiji and Shinpei, who had never even exchanged greetings before, happen to hit it off and go out for a drink together. There they meet a pair of office workers...

35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.

A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal. Nihilistic destruction by the young ones seems to be the only way out. This should be seen as Wakamatsu’s answer to Nagisa Oshima’s The Ceremony, made in the same year.

This surrealistic comedy follows the life of Haruo Maekawa, a young man who makes a living catching squid. Haruo is obsessed with catching a legendary giant squid rumored to live in Tokyo Bay. Haruo's uncle Takashi, fallen on hard times, comes to stay with his nephew until he can get back on his feet. Uncle Takashi is addicted to energy drinks, and seduces any woman in sight, including Haruo's girlfriend Rika. While praying at a Shintō shrine, Uncle Takashi is bitten in the scrotum by a poisonous snake and dies. The uncle is destined to spend the afterlife in Hell unless his nephew and girlfriend can rescue him from the King of Hell.

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

Kenji breaks up with his girlfriend and goes to stay with his brother, Ryosuke, who is married but is having an affair with a local waitress. It becomes clear quickly that Ryosuke is unhappy with his marriage to Haruyo, who desperately tries to get them to reconnect. One night Kenji goes out alone, to see the mistress of his brother...and they fool around.