Kokuei Company

When the all-girl gang, The Bombers, kidnap a man to use as their personal sex slave, S&M Hunter accepts the mission to infiltrate The Bombers' hideout and show them the ropes.

Japanese cult filmmaker Hisayasu Sato took a crack from his constant climb toward respectability with this particular kinky pinku-eiga entry aimed at the latex and rubber fetish set. A medical center nurse dealing with a patient for amnesia finds out that he is the serial slayer whom has been wandering the city armed with a metal baseball bat. The story is really an excuse for many softcore couplings offering rubber gloves as well as the like. an usually downbeat wallow in the perverse, perhaps offering evidence that while one can take the filmmaker out of the slum, the reverse is often untrue. Maya Shiraki movie stars with the omnipresent Takeshi Ito and Yoko Fujita.

Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.

The film tells a story about a woman and her relationship with the family of her husband's, in particular her husband's younger brother and father-in-law. Her husband, on the other hand, has an affair with a dominatrix and is obsessed in S&M games.

Pink film from 1985

When the '70s ended the anger of young people rose, differences in social values ​​occurred between adults and young people, and the word "generation" began to be widespread among the young people.,The film depicts a group of young men and women who are forced to flee their homes after committing a murder. The screenplay is written by Wataru Hino (a pseudonym of Atsushi Yamatoya), wherein he asks whether these young people are sick or sensible.

A girl named Ai gets a major record deal to sing a song written by a friend of hers who is deceased. However an obsessed stalker fan slowly starts becoming more like her and tearing her world apart.

High-school student Yasuko, indulges in sex to liberate herself from a corrupt adult society. Driven by the encouragement of her peers to feel what it is like to be a prostitute, Yasuko sets out an odyssey of self-exploration in search of complete satiation.

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature. Fatalistic and sad, this is one of the more depressing Japanese softcore films, and Sato makes it even worse by including footage from the lovers’ actual 8 mm experimental film throughout the story

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

As his investments in the stock market fail, a man finds himself in serious debt to a lecherous loan-shark named Uchiyama. The man's wife hires herself to Uchiyama to buy time for the husband to pay off the debt. After Uchiyama uses the wife to provide companionship for his mentally-impaired son, she is hit by a car, and her husband falls into despair and illness. Their daughter works as a nightclub dancer, intending to save the money to help with the debt. After her father's suicide, the girl decides to get revenge.

35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.

Asako and Tomoko, who live next door to each other in a certain apartment complex, are housewives who frequently chat with each other. Asako, who is on good terms with her husband, Keiji, tells Tomoko about their nightly activities, and Tomoko, who is in a lull with her husband, Shinpei, envies her for it. One day, Keiji and Shinpei, who had never even exchanged greetings before, happen to hit it off and go out for a drink together. There they meet a pair of office workers...

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.

A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.

Erotic drama set in an underground Tokyo club called The Bedroom, where the female clientele are drugged into a trance-like state and are subjected to different styles of bizarre, fetishistic sex by the male clientele.

Kenji breaks up with his girlfriend and goes to stay with his brother, Ryosuke, who is married but is having an affair with a local waitress. It becomes clear quickly that Ryosuke is unhappy with his marriage to Haruyo, who desperately tries to get them to reconnect. One night Kenji goes out alone, to see the mistress of his brother...and they fool around.

The films plot hinges on a bizarre love triangle involving a loser ventriloquist, his assistant & a blind woman - Hikari is blindly (literally) in love with Daisuke, a failing ventriloquist yet when she finally musters up enough courage to meet him face to face and present him with some flowers backstage she mistakes his assistant for him. For some reason Daisuke and his assistant decide to follow through with the mistaken identity farce which leads to some amusing complications, particularly in the bedroom.

　A mother, daughter, and their fiancé are enjoying a vacation at a villa near the ocean when suddenly a trio of people - a middle-aged man, a woman, and a young man - break in. Three outsiders and three ordinary people feel what it means to "live" through abnormal behavior. All of them are antisocial. Although the outlaws seem to be repeating antisocial acts, the film makes you feel the emptiness of such acts and the director's appeal to call it a "comedy".