The awkward, distant, and wounded three sisters gather at their hometown for their father's birthday. However, on the day of the party, there is a big mess because of their little brother Jin-seob's abnormal behavior, and the past of the three sisters slowly reveals.
After a chance meeting, a man and a woman stroll through Seoul’s changing streets.
In 1978, five leftist youths who believed that the leftist revolution could be realized through politics, not violence, gathered in a house and started to talk about the magazine they had published. The unexpected events that take place later that night reveal the political chaos in Turkey before the 1980 coup d'état.
A poet in his late 30s, who has spent all his life in Jeju Island, lives off his sturdy wife. Despite his wife's constant nagging about his inability as a breadwinner, all he does is thinking about and writing poetry. One day, the poet meets a teenage boy working at a donut shop and helplessly develops feelings he has never had before.
A sheep farmer whose remote and quiet life is disturbed by the arrival of both his lover and his twin sister.
Chang-seok's marriage failed and he is about to publish a novel based on his own experience. After he meets various people, Chang-seok changes his mind and starts weaving yet another story.
A housemaid, working in an exclusive gated community in the outskirts of Buenos Aires, embarks on a journey of sexual and mental liberation in a nudist swinger-club boarding the high security walls.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
EXIT: Woo-hyun lives a small-time criminal life earning his life as a pick-pocket. He often pays attention to an arrow-shaped-tattoo of his girlfriend which is on the genital area. He calls it ‘the emergency exit.’ THE BODY: Jung-su and Young-sun are a young couple. One new year’s eve, a movie director visits the couple’s house. Only the strong wind of the sea and slow time cross the living room and three people sense something…alive. WALTZING ON THUNDER: Mi-jung just happens to meet a group of people who have survived from being struck by lightning. While becoming aware of her old wound, she takes part in a trip for lightning strikes ‘again’.
Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.
In South Korea, 2002, the Democratic Party put the presidential nomination to a plebiscite for the first time. Amongst numerous candidates, the one who brought about the most unexpected result was a fringe candidate named Roh Moo-hyun.
High school student Min-sik moves to a rural village with his family. There he meets Ye-joo, a classmate who became a social outcast after her father was accused of murder.
Maria travels to Puerto Williams to star in a movie. But the film crew won't be able to arrive due to a strong storm. Alone, she'll seek help for severe back pain, which will lead her to discover life in the southernmost city in the world and a pending story in her life.
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi
Why did Moon Jae-in, a human rights lawyer who hated politics, become president? During five years at the Blue House, why didn’t he use his power? Why did he just silently plant flowers while being sworn at by protesters? One by one, those who watched him reveal their hidden stories.
Jeong-Woo is sent to a sanitarium deep in the mountains to overcome his alcoholism. There he meets a young nun named Maria who has a special ability to see inside people. In this isolated sanitarium Maria is the only person who seems to care for him and soon he feels drawn to her. While struggling with his withdrawal symptoms, Jeong-woo has a vision where his reality is different from what he believes. The further he escapes from his alcoholism, the closer he gets to confronting the past that he has denied for years.
Novelist Jeong-seok is looking for his missing wife. A woman appears in front of him and suggests that she can find his wife. Meanwhile, some people approach him and ask him to find missing people. They find themselves becoming chased at some point.
Legends abound on the Indonesian island of Sawai, but when a young woman arrives to find out more about a story her grandmother told her, no one knows a thing about Halimah who ran away from her husband to have an affair with the sailor Sukab. She does meet a young traveller called Sukab though. In this modest romance, almost documentary shots of village life are combined with the captivating beauty of jungle and sea. With a small walk-on for a squid. Edwin was invited to shoot this modern fairy tale by the film festival in the Korean city of Jeonju as part of the Jeonju Digital Project which in 2013 had the theme Strangers.
A young Czech theater director has an ambition to adapt Eurypides' Phaedra. However, having affair with the actress, he puts his marriage at risk and the play turns to be a fiasco. Desperate, he tries to be the best possible father and husband. Not a perfect one.
Low-ranking civil servant Pil Yong (Park Joong Hoon) has things hard looking after his disabled wife(Ye Ji Won). He takes charge of a hanji project in hopes it will bring him a promotion. His wife comes from a family of hanji masters. One of his tasks include working with quarrelsome filmmaker Ji Won (Kang Su Yeon), who is shooting a documentary about hanji. Though he knows little about the subject to begin with, the more he learns about hanji, the more it takes on a new significance for him and the world around him.
