The Good Bad-Man 1916
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.
A young couple attempts to elope, with the bride's irate father in hot pursuit. The train stops briefly and the young man dashes off to find a minister, but before he can get himself and the minister onto the train, it leaves, carrying his bride-to- be away. Now the young man, minister in tow, pursues his bride while her father and a horde of lawmen pursue them both.
Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."
A man and his wife both have criminal pasts, but have quit crime and are now respectable citizens. One day a member of their old gang shows up and threatens to expose them if they don't help him pull a heist.
A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.
Douglas Fairbanks stars as "Sunny" Wiggins, who believes in eternal optimism and good spirits. This places Wiggins at odds with his staid, wealthy family, who decide to get even when he blithely invites a group of derelicts to his sister's coming-out party.
Philip de Mornay, a courtier in the French royal court of the 18th century, falls in love with Daphne La Tour, the daughter of a nobleman. Knowing that her family would never approve of their marriage, he takes her and hides her in a brothel, but is soon captured by pirates. Soldiers looking for women to bring with them to a settlement across the ocean in Louisiana raid the brothel and take the girls, including Daphne. Later on the trip to the new world their ship is attacked by pirates--and she discovers that her lover Philip is on board the pirate ship.
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
Karl Heinrich is the heir to the throne of the small European principality of Rutania, but he's a lonely child, not allowed to play with other children and knowing little about life outside the castle. When he reaches maturity, he is sent to attend the University of Heidelberg, and finds fellowshi with classmates and a blossoming love with Katie Ruder, his only friend during childhood and the niece of an innkeeper. However, political turmoil in Rutania forces him to return. War is declared. Heinrich returns to Heidelberg one last time to bid a somber farewell to his beloved Katie.
A 1917 film directed by Tod Browning & Wilfred Lucas.
A 1917 film directed by Lloyd Ingraham.
A 1916 film directed by Lloyd Ingraham.
Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.
A 1917 film directed by Paul Powell.
Naomi is a young aspiring artist known to her Bohemian friends as "The Nut." Naomi's alleged nuttiness does not in any way impede the efforts by wealthy Frederick Harmon to make the unworldly heroine his bride. When their first baby is born, Naomi becomes so obsessed with motherhood that she completely ignores poor Harmon, who, to offset his loneliness, begins squiring the vampish Helen Carew. Helen manages to convince Harmon that Naomi has been unfaithful, leading inevitably to divorce-court litigation.
"Waffles," the waitress at "Coffee Dan's" hash-house, is selected by Bert Gallagher and Clara Johnstone, a pair of crooks, to be represented as a missing heiress whose story they have read about in the papers. "Waffles" herself believes the story, as she was orphaned early and remembers little of her childhood, and by adroit coaching is able to convince the estate's none too bright lawyers of the validity of her claim. With this unlimited money, poor little "Waffles" nevertheless has only three desires: to buy the little restaurant for her old benefactor, Shorty Olson, to publish the music written by her lover, Carl Miller, a young, eccentric, absent-minded musical genius, and to adopt the baby that a Mrs. O'Shaughnessy is too poor to care for.
A 1917 film directed by Paul Powell.
A bandit reforms himself and gives up his baby into better hands. Years later, he attempts to reunite with his daughter without revealing who he is.
In the future (1921), an alliance of several foreign countries plot to attack the US. American officials, coming to the realisation that the country is basically defenceless, offer $1,000,000 to anyone who can come up with a weapon to defeat the invaders. Winthrop Clavering, a writer and inventor, hears of the reward and tells his friend Bartholomew Thompson, a scientist and inventor who has been working on developing flying torpedo. However, enemy agents have also heard about Thompson's project, and set out to kill him and steal his plans. This film is now considered lost.