Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.
An early version of the classic, based more on the 1902 stage musical than on the original novel.
Based on Pushkin's short story: When his friends play faro, Germann always enjoys watching, but he never gambles himself. One day, as he is watching their game, he learns that an elderly countess staying nearby is said to possess a secret for winning a fortune at the game. Germann is determined to learn this secret from her, and he initiates a romance with her grand-daughter Liza, in order to improve his chances.
Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.
Magda, a piano teacher, meets Knud, a parson’s son, who invites her to spend the summer at his parents’ parsonage. When a travelling circus stops in the village, Magda leaves the meek Knud for the dashing circus rider Rudolf. But circus life with Rudolf quickly turns out to be anything but happy, and Magda comes to a tragic end. (Stumfilm.dk)
In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.
Dorothy and the Scarecrow are now in the Emerald City. They have become friendly with the Wizard, and together with the woodman, the cowardly lion, and several new creations equally delightful, they journey through Oz -- the earthquake -- and into the glass city. The Scarecrow is elated to think he is going to get his brains at last and be like other men are; the Tin-Woodman is bent upon getting a heart, and the cowardly lion pleads with the great Oz for courage. All these are granted by his Highness. Dorothy picks the princess. -- The Dangerous Mangaboos. -- Into the black pit, and out again. We then see Jim, the cab horse, and myriads of pleasant surprises that hold and fascinate.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
During a stay at beach resort Mr. and Mrs. Randall neglect their daughter and follow their own interests. Mrs. Randall entertains the local minister, while Mr. Randall agrees to take his daughter on a walk along the beach. However, he is attracted by a flirtatious young woman, and the little girl wanders off on her own. She clambers onto a seaside rock where she falls asleep, unmindful of the incoming tide. Her parents at last notice her absence and begin searching for her. However, the incoming tide has by this time surrounded her rock, cutting her off from land. A lifeguard hears her cries and swims to the rescue just as the rising tide is about to engulf her. The child is returned to her parents, who receive from their near tragedy a salutary lesson in the importance of being more careful parents.
An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.
Mired in poverty and no longer able to endure the hardships that this situation brings upon their baby, a young man chooses, with his wife, to give up the child by abandoning it in a rich household. A burglar who himself has just lost a child, breaks into this house and decides to ease the mourning of his wife by stealing the abandoned baby. Soon after, the young man and his wife receive word of their sudden fortune. They then try to find their child, but their search is in vain. Faced with the desperation of his wife, the young man calls a doctor whose coachman is none other than the burglar, since reformed. When the burglar learns the cause of the young woman’s misery, he realizes the gravity of his crime and convinces his wife that they must return the baby to its parents.
Made by the Edison Manufacturing Company and directed by Edwin S. Porter, the film starred Gladys Hulette as Alice. Being a silent film, naturally all of Lewis Carroll's nonsensical prose could not be used, and, being only a one-reel picture, most of Carroll's memorable characters in his original 1865 novel similarly could not be included. What was used in the film was faithful in spirit to Carroll, and in design to the original John Tenniel illustrations. Variety complimented the picture by comparing it favorably to the "foreign" film fantasies then flooding American cinemas.
A man sacrifices a new marriage for the happiness of his daughter.
Four customers are having a peaceful game of cards in a quiet café. The atmosphere being heavy, the waiter falls asleep and has an unsettling dream about the ills of alcohol, among other things.
Two sisters want to know whether there is romance in their future. One sister pulls the petals off of a flower, while the other has her fortune told by a gypsy. When the gypsy tells the fortune so as to serve his own purposes, complications soon develop.
A young doctor is jealous of one of his patient's romantic interest in his nurse.
A wealthy, callous moneylender finds a terrifying way to learn about money's limitations.
An ailing woman is visited by her family doctor. This film was seized by Austrian authorities in 1911, and the fact was announced in the Wiener Zeitung, the Official Journal of Vienna.
Recommended by a friend of the Ambigu Theatre, Max is summoned to Joinville studios. His first role is that of a husband who comes home late.
Anna, a beautiful girl from a poor background, is offered a well-paid position as a lady's companion in London. Anna's boyfriend, the sceptical Georg, suspects that the job offer is too good to be true, but Anna dismisses him and reports to the London address. The stately home in England turns out to be a whorehouse that imports women from Denmark. Anna manages to overpower her first client but is unable to escape.
