A penal gymnastics session is underway during a roll call in a concentration camp. A brutal voice shouts furious commands: "nieder - auf!" (down – up!). One of the prisoners will not obey the commands, another one will almost survive
Kajetan, a dog and famous detective, and his assistant, Cat Makawity, try to solve the mystery of the director's disappearance and the problems of other creatures from the neighbourhood. Only the Secret of Marabou’s Code can stop Chameleon, a dangerous criminal.
A self-consciously Kafkaesque tale of a winged lonely man literally devoured by totalitarian rule.
Displaced by the Second World War, a troop of Polish soldiers form an inseparable bond through an orphaned bear they name Wojtek.
From cowboys to cannons, diving to racing, perhaps nothing can stop this stuntman
Polish animated short film that uses unconventional film techniques such as cut-out, drawing, filming miscible fluids and scratched images. Also uses non-camera technique such as drawing directly on film. The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms' techniques and calls for respect for the environment.
Prole 514 dreams about winning the Great Lottery. The lottery winner is transformed and allowed admission into the elite White society, where everyone is beautiful, young and happy and people spend their carefree lives solely on fun and partying. One day, 514's wish comes true... but was this what he really wanted?
A fantasy biography of Franz Kafka, bringing to life the writer's diaries and photographs.
Tomek Milkowski is an comic-books' illustrator. But his chef doesn't like his drawings. He tells Tomek to make up something really cool, if the boy doesn't want to loose his job. The illustrator has a guest. It's a bird Tri-Tri from stories about Mr. Kleks. Tomek takes the book and decides to illustrate it as a comic book.
Short animation by Alina Maliszewska about two lovers trying to kill themselves
A tenement house in Poznan as a background of social changes and political events in the history of Poland in the 20th century. Shop signs, languages, banners and wall inscriptions change - the tenement is still the same.
A man seated next to the body of his young wife thinks about their brief life together. Suicide has been the only escape for her... Dumala's technique creates a dark, claustrophobic atmosphere, entirely suitable for Dostoyevski's novel "A Gentle Spirit" on which it is based.
Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.
A stop-motion animation short dealing with matchboxes.
David, a boy who stays with his parents in a small cabin in a jungle, not only gets a reliable puppy named Pips for his birthday, but he also befriends a baby eagle who he names Sandy. They discover that a stereotypical boss, named Mr. Stealmore in the English version, is after a set of pearls which were to be kept safe by a group of aliens who landed in the jungle. Now, the trio have to band together and save the jungle from Mr. Stealmore, who has also plotted to bulldoze the jungle and build a city in its place.
An allegory of the hopeless relationship between a prisoner and his jailer, representing the dependence of mankind upon authoritarianism.
It is still one of the most popular Polish animated films. Servants prepare the table for a luxurious dinner party in a beautiful palace. Guests are gathering slowly. Suddenly they are surprised by an unexpected change of roles between the eater and the one who is eaten.
The second animated work from filmmaker, sculptor and painter Jerzy Kalina. Using multi-plane techniques mixed with paper animation and coloured grains (an element found in his first film, ...i stała się światłość, W trawie is a fantastical exploration of the world beneath our feet.
Two shades of paint are pitted against each other in a bullfight that spills self-reflexively from the page into the animator’s studio
